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I am very pleased to offer you a preview of my featured interview with songstress/style star/beat-thumping DJ/hot mama, Solange Knowles, for LURVE Magazine’s Fall/Winter issue.

LURVE’s editor, Lyna Ahanda, approached me about the project last Spring and I immediately went to work, pouring myself over research on the style maven and developing questions that would underscore the wit, intellect, and artistry of this young creative on the brink.

I have found that when interviewing people, niceties should be thrown out the window: a conversation should be had, a dialogue started; all walls should collapse. And so with Miss. Knowles, I obscured the surface and dug deep. What she reveals here is expressly her own voice, and with it a very honest, endearing story emerges that works perfectly in concert with the imaginative and transformative images of Ellen von Unwerth.

After reading on, I think you’ll find that “Solo” is on to something fantastic, insightful, and very necessary.

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**An excerpt from the third installment of my Huffington Post series, “The Black Girl Crush Series”an awesome new index of interviews with Black female iconoclasts.**

To be sure, the allure of the tomboy has stretched over time, mediums, and cultures, the beguiling assemblage of female magnetism and male dominance funneled into a single physical embodiment. Simply look at screen god(desses) Marlene Dietrich and Diane Keaton, jazz chanteuse Billie Holiday, or even Joan of Arc for verifiable proof: the bold, unconventional, yet glamorous sway of gamines has seemingly always had an impact on art, society, fashion, and history.

Within a modern context, though, no one seems to embody tomboy style quite like Downtown New York’s polymath/”sweetheart”, Vashtie Kola. The artist, designer, video director, brand consultant, professional party hostess-with-the-mostest, dominates the hip hybrid scenes of fashion, hip-hop, and art in denim cutoffs, Air Jordans (of her own design), a tee (also of her own design), and a flip of her enviable bushel of curls.

Such an effortless uniform still makes quite a statement while she’s busy directing music videos for the likes of Kendrick Lamar, Solange Knowles, Kid Cudi, and Justin Beiber, designing haute streetwear for her clothing line VIOLETTE, or amping up the crowd of her weekly 90′s-music dance party, “1992″. Like many young women of our generation, Ms. Kola has masterfully transformed her passions into her occupation, shirking a single job title instead for several proverbial hats. The Trinidadian beauty reveals in the third installment of the “Black Girl Crush Series” how she balances her limitless interests, the female powerhouses that continually inspire, and what advice she would offer her younger self–all whilst being the only girl in the crew.

Click HERE to read more!

A special thanks to Vashtie for participating in this growing project!

As I write this, I can feel summer at my back.

I can feel it blazing outside my window, the oppressive heat crackling on the concrete streets below, scorching the greenery, browning the skin, and leaving a hint of the earth burning in the air. It is a relentless season, one of reverie, sweat, fantasy, and adventure; best experienced with an open calendar and spirit, I believe.

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**An excerpt from my recent Huffington Post article, “Black Girl Crush Series, Part 1: ESTELLE”–the first in an awesome new series of interviews with Black female iconoclasts.**

When I initially wrote ”Sisterly Love: The Rise of the Black Girl Crush” I simply wanted to offer a modern reading on the powerful and delightful connection women of color have always shared with one another. Though the term “crush” insinuates an inane, temporal connection with certain subjects, I was able to argue instead that the “Black girl crush” reflects a deep admiration for women of color in the limelight whose careers affirm that our ambitions are hardly anomalous and certainly attainable.

I knew I wanted to expand on the idea somehow after the article published, and thought, “Why not simply interview the very subjects of these Black girl crushes?!” Why not discover what makes these women tick, which Black girls in turn inspire them, and where do they get their strength, inspiration, and style?

With this said, I began by talking to British singer/rapper, Estelle, who has enlivened audiences the world over with her soulful sound, fresh approach to style, and joyful spirit. With the recent release of her praiseworthy sophomore offering, All Of Me, Estelle draws from a long tradition of Black female songstresses, singing earnestly of the raw emotions that come with love and relationships, while injecting her signature groove into the infectious album.

Here she confesses her own Black Girl Crushes and pathos on style, life, and sisterhood….

Click here to learn what and who inspires singer/rapper, Estelle….

As if by rite of passage, the Black model archive is filled with trials of hapharzard handling of one’s hair. Left in the hands of hairstylists deaf to the temperment of Black tresses, Black fashion pioneers have recounted tales of their coils and strands being stretched to their breaking, frayed ends; scalps carelessly permed, harshly scorched, battered with color, and left to be restored by weaves, wigs, and the shearing of frazzled locks.

These haunting experiences are now often shrouded in frustrated one-off tweets, or woeful interview admissions from present-day Black fashion favorites Jourdan Dunn and Chanel Iman, messages that acknowledge a problem, but rarely hold few responsible. This while Black model stalwarts Naomi Campbell and Tyra Banks have fought the effects of alopecia publicly, Banks raising significant awareness to the damaging toll modeling has caused to her hair by going completely natural in 2010, even urging Larry King to feel her restored scalp in an on-camera 2009 interview.

It is uplifting then to see the newest pack of Black models storming the catwalks in full embrace of their natural hairstyles, from cropped Afros, flat tops, to buzzed scalps–and in turn being embraced by the industry that has typically approached Black hair with skepticism and harsh critique.

Click here to read the remainder of my first VOGUE Italia piece on the natural hair trend I spotted on the FW12 runways. 

Photo of Herieth Paul courtesy of Ryan MicGinley for the EDUN Spring 2012 campaign

 **An excerpt from my recent Huffington Post article, “Sisterly Love: The Rise of the Black Girl Crush”. 

Writer, David Foster Wallace, once wrote that the lives of others are a writer’s dinner; they are our sustenance. We observe, analog, and interrogate the sequential series of events, happenstances, and eccentricities of strangers and those closest to us, out of necessity — not to meddle. Life’s oddities are our fuel to work, to create; we are able to make connections and deductions that work to bridge varying histories, paths, and people together. But more importantly, we analyze the innards of “human situations” as a way to asses how individuals are perceived.

Without such fodder, we wind up speaking only of ourselves. Wallace absolved a tremendous amount of shame of mine with that principle and it has in turn helped me rectify my fascination with the lives of other women who happen to look just like me. Black women, more broadly — and Black women,artistically inclined and deftly dressed, more specifically.

For a style writer, whose work’s main focal point is the intersection of class, sex, race, and gender amongst the crowds gathered at Les Tuileries, it is uplifting to find tufts of a coiled Afro peeking out above the stylized fashion packs. Although I find that I can enjoy fashion and style on a very neutral level, as an individual who simply appreciates beauty, I preternaturally want to find out who that Afro belongs to. I want to learn how she has found herself amidst the glamour, and how she has navigated it all. This is the sustenance I was speaking of earlier.

In this, I have been taken with the lives and stories of several women, as of late: Solange Knowles, Shala Monroque, Julia Sarr-Jamois, Tracee Ellis Ross, Viola Davis, Kara Walker. All enchanting women who have summoned admirers through their varied talents in art, fashion editorial, music, acting, and entertainment — and yes, their alluring personal style. I’ve eagerly read up on their beginnings, successes, and philosophies in countless interviews, attended their lauded movies or art exhibitions, procured publications which they’ve covered or been featured amongst the pages of, and soaked up their energy and conspicuous intellect overheard in recorded interviews and even, memorable one-on-one conversations.

Though erring on the side of “ogling” (again, Wallace explains, a natural component of my job criteria as a writer), all this helps me piece the woman together, etch out a greater idea of this individual, and create a philosophical and sartorial alignment with one another in my mind. What blooms is not voyeurism, nor fandom, because I think that suggests an unequal balance of interest. But something much more subtle: a simple and honest-to-goodness “girl crush.”

Read the rest of “Sisterly Love…” at Huffington Post here.

Photo courtesy of Vintage Black Glamour