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The making of a woman–a Black woman at that–is a challenge. There are several odds that may deter our growth, mostly all of them social constructs (gender, race, class: man-made stratus), nebulous and arbitrary forms of difference that are enforced without any merit or grounding. Differences that suggest we cannot do or say or be (or wear) whatever we so choose: that biologically, pathologically we are benign to self-edification.

Somehow, we withstand the odds, because quite frankly as much as I do not want someone, something to totalize my being, I certainly do not want them totalizing my look. No, no that is so much apart of my own identity, and most certainly an autobiography authored at the tip of my own proverbial pen.

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The light shone brightly on my female form, as Fela Kuti’s “African Woman” pulsed through the room, altering its energy  dramatically. Is it a cliché to say that the African rhythms sent this raconteur sailing through her imagination? Or was it the bias cut of a threadbare micro-printed dress that had her swinging ? No matter, I was in another stratosphere by now: I was thinking of the life once before lived in this dress, cut finely along the slight of a woman’s curve. A woman must have been courted in such a dress, her beau dabbing at the sweat beads that had surfaced along his brow and across his upper lip upon beholding her image.

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